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If melody is the heart of music, rhythm is the skeleton upon which everything is built. Rhythm gives a song purpose, momentum, and drive, and the electric bass guitar provides much of the foundation for that essential beat. Basses not only fill out the low end of the tonal spectrum, they help link the guitars, pianos, vocals, and other melodic elements to the drums, creating a full, complete sound.
The electric bass guitar can be an incredibly rewarding instrument to play, but it can also be daunting to get started due to the overwhelming number of choices. Consider the style, how many strings, and the wood type you want in order to get an instrument that you'll be happy with for years to come.
Editors’ Favorite
Strings: 4 | Frets: 24 | Pickups: P/J | Electronics: Passive | Scale length: 34”
The Yamaha TRBX174 is an all-around winner for beginners and amateurs looking for a good electric bass. It unites quality construction, playability and price in one attractive package. It’s an instrument that should serve you well for years to come.
The TRBX174 has a modern solid-body silhouette with a prominent top horn and double cutaways. It features mahogany body wood, with a bolt-on maple neck and rosewood fingerboard. It has a standard-sized scale length of 34 inches with 24 frets.
The TRBX174 features a P/J pickup configuration, with a split-coil pickup at the neck and a single-coil pickup at the bridge, allowing for both power and brightness as needed. Each pickup has its own volume control in addition to a master tone control knob.
Great Value
Strings: 4 | Frets: 20 | Pickups: P | Electronics: Passive | Scale length: 34”
Sometimes you don’t need to overcomplicate things. That’s the case with the Fender Squier Debut Series Precision Bass Guitar. It’s got everything you need in a punchy bass guitar, and nothing else.
The Squier Debut Series bass is a full-sized bass guitar with the classic Fender double-cutaway P-Bass body style. It has a comfortable “C”-shaped neck made out of maple with a laurel fingerboard, with 20 tall, narrow frets. The Squier Debut bass has a standard 34-inch scale length and passive electronics.
A sole split-coil “P” pickup provides the Squier’s telltale P-Bass sound — thick and punchy, ideal for rock and blues. There’s a single volume control knob, plus a tone control knob as well. It also features vintage-style open gear tuning.
Best Step-Up 5-String Bass
Strings: 5 | Frets: 21 | Pickups: P/J | Electronics: Passive | Scale length: 34”
What can you do with an extra string? Anything you need to. The Yamaha BB235 BB-Series 5-String Bass Guitar combines familiarity and comfort with the additional musical possibilities of a lower B string.
With the solid double-cutaway design of the rest of Yamaha’s BB series, the BB235 is positioned for pro-class precision and playability. The addition of a low-B string extends its range below those of standard four-string basses, while ceramic P/J pickups allow for versatility in its sound profile. It has a 34-inch scale length with 21 medium frets.
The BB235 has passive electronics with individual volume controls for each pickup, in addition to a master tone control dial. It sports alder bodywood and maple neckwood, with rosewood for the fingerboard.
Best for Slim Necks & Guitarists Switching to Bass
Strings: 4 | Frets: 22 | Pickups: P/J | Electronics: Active | Scale length: 34”
Active-electronics basses are great for experimenting with sound and tone. With an active EQ, the Ibanez GSR200 offers accessible playability with onboard tonal control. It’s a great choice for bassists who are ready for more tonal experimentation.
The GSR200 has a solid poplar body in the contoured, slim-necked GSR4 style. It has a scale length of 34 inches, with 22 medium frets on a maple bolt-on neck. It features dual Dynamix pickups in a P/J split/single configuration. Each pickup has its own volume control, plus a master tone control.
The Phat II Bass Boost active EQ in the GSR200 sets it apart from passive basses. With its own control knob, it delivers deep rumble and presence when required, actively enhancing the low end without overcomplicating the options.
Best Short-Scale Bass Guitar
Strings: 4 | Frets: 22 | Pickups: P/J | Electronics: Passive | Scale length: 28.6 in
A short-scale bass guitar like the Ibanez GSRM20B MiKro has a reduced distance from bridge to nut. The narrower frets and smaller size make it an excellent choice for young players, beginners or anyone looking for a more compact bass.
The Ibanez MiKro is a short-scale four-string bass guitar in a compact, double-cutaway SR body. It has a bolted maple neck with 22 medium frets and a scale length of 28.6 inches. Two Dynamix P/J pickups in split/single configuration create its versatile sound, with individual neck and bridge volume controls plus a master tone control.
The reduced overall size and weight of the MiKro makes it a great choice for touring or traveling. Its smaller scale does give it a somewhat different feel than a full-sized bass.
We conducted research into the design and features of electric bass guitars, familiarizing ourselves with electronics definitions, pickup configurations, fret number, scale length and more. We consulted buying guides and articles from well-known brands and publications as well as noting customer reviews and feedback. We focused primarily on beginner-friendly electric bass guitars that also can grow with a player’s expertise. Finally, we differentiated each pick on specifications, notable features and price.
There are dozens of unique bass designs available, each with its own advantages, disadvantages, and aesthetic appeal. Here are some common styles you’ll see:
P Bass: Also known as the Precision Bass, the iconic Fender P Bass was released in 1951 as the first electric bass available. It’s commonly found with a booming split-coil pickup and thick neck, and it’s comfortable to hold and play. While Fender pioneered this design, countless other manufacturers sell basses in this style.
J Bass: The Fender Jazz Bass (J Bass for short) looks similar to the P Bass at first glance. However, the different pickguard shape, dual pickups, and slimmer neck distinguish the two. On the whole, J Basses are more versatile than P Basses, with slimmer necks for easier chord play.
SG: This striking model from Gibson takes its cues from the SG electric guitar, with a lovely retro look and devilish “horns” accentuating the body. These typically have a warmer, duller sound than the Fender alternatives, but they are extremely light and easy to play due to the body shape.
Thunderbird: Another classic from Gibson, the Thunderbird is notable for its wide body and dual humbucking pickups. These elements combine for a bright, powerful, and punchy sound, but potential buyers should be aware that these basses are quite neck-heavy.
Flying V: Whether you’re playing bass or strumming a six-string guitar, the Flying V design is destined to make a visual statement right off the bat. The shape facilitates easy access to high notes, but the design has ergonomic drawbacks if you play sitting down. It just looks so cool!
Violin: Made by popular by Paul McCartney, violin basses produce a muted, natural tone that fits in well with other instruments. They’re often short scale, meaning they’re light, ergonomic, and easy to transport.
The tonewood that makes up the body plays a role in the guitar’s warmth, sustain, playability and look.
Basswood: This is one of the most common materials in bass guitars, as it’s relatively inexpensive and ubiquitous. It produces very little sustain, making it preferred by players in fast, complex genres.
Mahogany: This wood boasts a softer, warmer timbre with a focus on low tones and low mid-tones. It has impressive sustain, but it is rather heavy.
Maple: Like mahogany, maple is a heavy wood that creates a lovely sustain, but the tone is crisp and clear compared to the buttery mahogany. It’s great for cutting through the mix and standing out.
Ash: A beautiful wood with a unique grain, ash is commonly coated with a transparent finish to show off its gorgeous lines. Tonally, it creates decent sustain and overall balance, with a dash of bright harmonic overtones to add depth. Ash is similar to alder in terms of musical properties.
The pickups of an electric bass guitar translate the vibrations of its strings into electric signals. An electric bass guitar may have one or two pickups.
Single-coil: An extremely common pickup type in both basses and guitars, single-coils have a tight, bright tone that turns aggressive when distortion is added. Basses often have two single-coil pickups on the body, one near the bridge and one near the neck, to extend the player’s choices. Notably, they can be a bit noisy. Also known as J pickups, for the bright, precise tone used in jazz.
Split-coil: Found on almost every P Bass, split-coils illicit a full, bouncy, boomy tone with copious low-end and mid-range flair. They fall a bit short in the top end, but they produce less hum at high volumes. Known as P pickups for short.
P/J pickup: A combination configuration with one P split-coil and one J single-coil pickup used in combination, one at the neck, the other at the bridge. Allows for either P or J style tonality, or in combination.
Humbucker: The go-to choice for high-output players, humbucker pickups essentially put two single-coils next to each other. The design cuts back on excess noise, as the name implies, but the primary benefit is high levels of gain and punch.
The style of the neck on your bass plays a surprisingly vital role in the instrument’s playability and resonant qualities. There are three styles of construction: bolt-on, neck-through, and set.
Bolt-on: As you may have guessed, bolt-on necks are separate pieces that are literally bolted onto the guitar body. This is a common layout, as it’s cheaper to manufacture and permits easy replacement if your current one gets damaged.
Neck-through: This design features a neck that essentially spans the entire bass body. It is constructed by gluing several pieces of wood together. Neck-through basses are expensive, but they offer unmatched sustain because there is no joint between the neck and body to stifle vibration.
Set: Set necks are rather similar to bolt-on necks, but they use a mortise or dovetail joint instead of a metal bolt. In terms of sustain, set neck basses sit between bolt-on and neck-through designs.
Scale length measures the total vibrating length of the string of an electric bass guitar from the nut to the bridge. It has a significant influence on string tension, fret length and feel.
Electric bass guitars may have passive or active electronics.
Passive basses don’t require a battery. They use the pickups and volume/tone controls alone to shape their sounds. The most traditional type.
Active basses have a built-in preamp powered by a battery. They offer EQ-style controls over the bass, midrange and treble, allowing for onboard sound shaping.
Some electric bass guitars offer combined active/passive electronics.
Advanced players may consider electric bass guitars with fretless necks. These instruments are more difficult to play than fretted models due to the lack of neck markers, but they offer huge upsides. Their ability to slide smoothly from one note to another is unparalleled, they have lovely sustain, and they offer countless opportunities for experimentation. If you have sharp ears, as well as a healthy understanding of note position, a fretless bass may be for you.
Hollow body or semi-acoustic electric basses bridge the gap between unamplified acoustic models and traditional electrics. While the majority of the sound still comes from amplification, the hollow resonance chamber adds some acoustic playing possibilities, a rich, warm tone, and less weight overall. Notably, these basses can produce higher feedback levels when plugged.
Inexpensive: The entry-level for electric basses start around $100 and top out around $500. For the money, you’ll find basic basswood basses with four strings and simple electronics. While these can sound great and pack a punch, the clarity is a bit lacking, and you’ll experience more noise at higher volumes. You can find beginner packs in this price range that include the bass, strings, a soft gig bag, and a strap.
Mid-range: For about $500, expect basses with four and five strings, higher-quality wood, and better pickups with more precision. Ornate finishes and designs are common at this level, allowing you to add a bit of flair to your setup.
Expensive: Approaching and exceeding $1,000, you’ll find even more five-string and six-string basses, the best wood available, crystal-clear pickups, and neck-through designs with maximum sustain. There may even be vintage reissues at this price point, bringing the classics back to modern-day.
A. There are dozens of ways to play an electric bass, but the most common are picking, plucking, and slapping. Picking, as the name implies, involves using a heavy-gauge plastic pick to play individual notes or even strum chords. Plucking does not involve a pick.
Instead, you rest your wrist on top of the instrument’s body, draping your hand over the strings. Then, you use your index, middle, ring, and pink fingers to pluck each note. Finally, slapping involves a completely different technique. Hold your dominant hand in a loose “thumbs up” fist position, and rotate your wrist as if you were opening a door. You strike the strings with the side of your thumb while doing this, creating a percussive, powerful, and funky sound.
A. If you’re just starting off with electric bass, we recommend starting with a small amp and upgrading later. Not only are they lighter than big stacks, small amps represent less financial investment as you develop your tastes and preferences. Something in the 10- to 25-watt range is plenty powerful and will only cost $100 to $200. Consider models with onboard effects and multi-band equalizers, as well, to dial in the perfect tone or even to emulate your favorite players.
A. Bass guitars typically use fewer effects than electric six-strings, as the natural bass tone fits snugly with the instrument’s rhythmic role. That said, common effects include overdrive/distortion, compressors, reverb, and chorus. These can add huge amounts of punch, clarity, and atmosphere to your sound.
If you’re interested in fleshing out your setup further, reflect on the type of music you want to make. If you’re into heavy rock or metal, definitely look at overdrive/distortion pedals as well as compressors. If you play indie rock or jazz, use reverb and chorus for a clean, airy tone. If you’re in a funk group, an envelope filter is almost a must. If you want to go even further, add a multi-effects pedal station and delve deep into the waters of experimentation.
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