Made of lightweight carbon fiber. Six sections extend from 15.6 to over 61 inches. Reversible 1/4- and 3/8 inch screw for wide compatibility. Impressive 22 pound load capacity. Soft, cold-resistant handle. Retractable steel spike for traction.
Doesn't come with a case or bag.
Aluminum construction extends from 21 to over 67 inches. Comfortable hand grip and wrist strap. Foot includes steel toe for added grip when necessary. Can hold up to 3 kg (6.6 pounds). Can be used as a walking stick.
Only includes 1/4 inch screw. Relatively low load capacity.
Sections can extend up to 67 inches in length. Total load of 3 kg or 6.6 pounds. Rubber coated foot won't skid, but can remove rubber to reveal metal spike for grip outdoors. Nice cushion on the grip with a wrist strap. Includes bag.
Somewhat low load capacity. Questions of durability.
Carbon monofiber. Extends over 71 inches with maximum 15 pound load. Includes prebalanced counterweight. Allows 360 degree horizontal and +90/-70 degree vertical panning. Tripod base can be used separately.
Folded size of almost 30 inches is not as compact as might be desired.
When fully extended, monopod measures 61" in length. Doubles as a sturdy walking staff. The sections lock in place tightly. Offers a good handgrip and a wrist strap. Comfortable to use all day long.
Sections of the monopod may stick over time, making it tough to extend.
We recommend these products based on an intensive research process that's designed to cut through the noise and find the top products in this space. Guided by experts, we spend hours looking into the factors that matter, to bring you these selections.
If you live by the idea that more is always better, you might want to rethink that philosophy when it comes to monopods.
While a tripod with three legs is going to provide more support for a camera than a single-post monopod, that doesn’t mean the tripod is always the better choice for your photography needs. A monopod allows photographers to hold the camera steady for almost any kind of shot, just like a tripod. It’s also easy to use and folds down to a small size, so you can carry it anywhere, unlike some bulkier tripods.
When comparing various monopods for your photography, think about your needs and consider the following:
Digital camera gear can vary quite a bit in weight. A simple fixed lens camera doesn’t weigh much. But a DSLR camera with a long lens weighs a few pounds or more. Certain monopods are made to support only lightweight cameras. Others can handle extremely heavy still image and video cameras. Think about the type of gear you use and select a monopod that can easily support its weight.
Monopods typically have a telescoping design. The sections collapse inside each other down to a shorter size for certain shots or a size that’s easy to carry, usually 15 to 24 inches. When it’s time to use the monopod, you extend the sections and lock them in place so you can use the full length of the pole, anywhere from 54 to 72 inches.
A lightweight monopod is a smart idea if you want to take your camera equipment on hiking trips. As a general rule, heavy-duty monopods are made of materials that weigh more than light-duty monopods. However, you don’t want to trust your expensive camera equipment to a light-duty monopod, even if you are trying to lighten your load. If the monopod collapses, your camera could get damaged.
Each section of a monopod locks in place using one of two designs: twist or latch.
Twist: On twist-lock monopods, you to twist a ring on each section to loosen or tighten it. This lock design holds its position tightly and allows for fast adjustments.
Latch: The other lock design involves a latch that you flip. Push the latch one way to extend the sections; flip the latch the other way to lock the sections in place. Flipping the latches can make a little noise, which is undesirable when photographing wildlife.
Monopods come in a few different designs and materials. Pay attention to these to find the best monopod for your photographic needs.
Materials: Extremely inexpensive monopods are made of plastic, so one might not last very long. More durable monopods are made of lightweight and tough aluminum or carbon fiber.
Sections: A typical monopod consists of telescoping sections, allowing the monopod to fold down to a short size for carrying. A unit with five or six sections folds down to a smaller size than one with three or four sections.
Feet: Occasionally, you’ll find monopods that include feet. The unit usually has three feet that extend out from the bottom to provide a bit of extra stability. When the feet aren’t needed, they fold back into the pole and out of the way.
Strap: Some monopods have a strap to make them easier to carry in the hand or on the shoulder. If you’re carrying a monopod with your camera attached, a strap can help you carry it securely.
You can find monopods in a wide price range. Hardware aimed at professionals costs quite a bit more than basic units.
Inexpensive: Beginner-level monopods cost roughly $15 to $35. These aren’t able to support a lot of weight, but they’re sturdy enough for average-size or smaller cameras. Light-duty monopods might be made of inexpensive plastic.
Mid-range: These monopods cost about $35 to $75. They are mostly aluminum and can easily support medium-size DSLRs and lenses. A mid-range monopod provides a good level of performance for most photographers.
Expensive: Professional photographers can spend $75 to $300 for a lightweight but sturdy carbon fiber or aluminum monopod. These monopods are also the longest, usually at least 68 inches.
Q. Do I need a specific brand or model of monopod to pair with my camera?
A. Not really. The mounting screw or ball head on the monopod is made to fit almost any camera. If you’re trying to mount a smartphone onto the monopod, you might need a specific model, but traditional digital cameras should work with any monopod.
Q. What’s the best way to maintain good balance when shooting with a monopod?
A. When shooting with a monopod, you’ll want to recreate the balance you have with a tripod. Pair the contact points your feet make on the ground with the contact point of the monopod to create a balanced stance.
Q. What’s the best shooting height with a monopod?
A. If your camera has a viewfinder, extend the monopod until the viewfinder is at eye level. This allows you to capture spontaneous photos as quickly as possible. You can line up the photo in a hurry when using the monopod at this height. Shooting photos from a monopod feels natural with this setup.
Q. Should I change the height of the monopod for certain photo angles?
A. Should you need to shoot a photo above or below eye level, don’t count on having time to adjust the height of the monopod. Instead, learn to change the angle at which the monopod rests on the ground. To shoot upward, place the monopod leg away from your body and tilt the camera backward toward you. To shoot down, do the opposite. Then adjust your stance so you can see through the viewfinder while maintaining your balance.